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@@ -6309,6 +6309,217 @@ export const LearnEngage = {
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export const Publications = {
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Magazines: {
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+ 2025: [
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+ {
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+ id: 51,
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+ imgUrl: "/data/Publications/Magazines/51.jpg",
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+ p: "Museum Concepts and Practices in Rapidly Changing Communities",
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+ txt: `
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+ <p><span>Special Issue</span></p>
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+ <p><span>Museum Concepts and Practices in Rapidly Changing Communities</span></p>
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+ <p>• Remarks by the Academic Moderator of “Museum Concepts and Practices in Rapidly Changing Communities”<br/>
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+ <i>Guan Xin</i>
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+ </p>
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+ <p>• Lightness and Heaviness: A Study on the Strategies for Museums’ Lightweight Transformation<br/>
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+ <i>Jia Man</i>
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+ </p>
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+ <p>• From Waste to Cultural Memory: The Social Value Reconstruction of Museum Collection and Interpretation Practices<br/>
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+ <i>Du Yuting/Liu Jiahui</i>
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+ </p>
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+ <p>• Challenges of the Times and Emotional Innovation Paths in Railway Culture Communication: A Case Study of the China Railway Museum<br/>
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+ <i>Wu Qian</i>
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+ </p>
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+ <p>• Study on the Multi-Format Operational Model of Museums: Taking Tsingtao Beer Museum as an Example<br/>
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+ <i>Zhu Junhai/Li Siwen/Pan Shouyong/Li Pei</i>
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+ </p>
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+ <p>• Discussion on Museum Concepts and Practices in Rapidly Changing Communities<br/>
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+ <i>Zhao Jing/Li Shimeng/Wu Jie/Wu Wei/Yao Nailiang</i>
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+ </p>
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+
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+ <p><span>Theoretical Research</span></p>
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+ <p>• Early Construction of the West China Union University Museum<br/>
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+ <i>Wang Moqiong</i>
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+ </p>
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+ <p>• The Definition and Concept Analysis of Revolutionary Cultural Relics<br/>
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+ <i>Hu Kaiyun</i>
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+ </p>
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+ <p>• A Study of the Application of Feedback System in the Design of Museum Interactive Media<br/>
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+ <i>Sun Weiyi/Li Lin</i>
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+ </p>
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+ <p>• Experiential Engagement, Empathic Resonance, and Identification: Exploring the Application of Role Playing Theory in Experiential Exhibition Design<br/>
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+ <i>Qin Sijie</i>
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+ </p>
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+
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+ <p><span>Museum Practice</span></p>
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+ <p>• The Sorting and Research on the Archaeological Information of the Qinghe Han Tombs in Beijing: Practice on the Recontextualization of Information about Archaeological Relics in the Collection<br/>
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+ <i>Bai Yan</i>
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+ </p>
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+ <p>• Exploration and Reflection on the International Online Exhibitions of Museums from the Perspective of Cultural Empathy Communication: A Case Study of the Online Exhibitions Opening Zhejiang in Zhejiang Provincial Museum<br/>
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+ <i>Hu Huimei</i>
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+ </p>
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+ <p>• The Application of Transmedia Storytelling in Archaeological Scholarship and History Exhibitions: An Example from the Exploring Shang Civilisation<br/>
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+ <i>Xu Junwei</i>
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+ </p>
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+ <p>• Exploration of the Practice of Restitution Lost Cultural Relics in Museums: The Horniman Museum’s Initiative as a Case Study<br/>
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+ <i>Xu Zhan/Zhang Zheng</i>
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+ </p>
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+
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+ <p><span>Book Review</span></p>
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+ <p>• A Companion to Curation: A Milestone of Panoramic Curatorial Studies<br/>
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+ <i>Li Jinghui</i>
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+ </p>
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+ `
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+ },
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+ {
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+ id: 50,
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+ imgUrl: "/data/Publications/Magazines/50.jpg",
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+ p: "Reflections on Professional Education in Museology and the Development of Museology Discipline Systems",
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+ txt: `
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+ <p><span>Conversation by Writing</span></p>
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+ <p><span>Critical Reflections on Professional Education in Museology and the Development of Museology Discipline Systems</span></p>
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+ <p>• Remarks by the Academic Moderator of the Conversation by Writing “Critical Reflections on Professional Education in Museology and the Development of Museology Discipline Systems”<br/>
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+ <i>Song Xiangguang</i>
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+ </p>
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+ <p>• Memories of Some Situations in Museum Special Course of Peking University<br/>
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+ <i>Zhen Shuonan</i>
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+ </p>
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+ <p>• The Past, Present and Future of Museology Professionalization Education in Chinese Universities<br/>
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+ <i>Xu Ling</i>
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+ </p>
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+ <p>• Reality and Ideal: The Disconnect and Debates Between Professional Museology Education in Universities and Industry Demands<br/>
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+ <i>Zhou Jingjing</i>
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+ </p>
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+ <p>• Understand and Manage the Relationship Between Academic, Disciplinary, and Curriculum of Museology<br/>
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+ <i>Song Xiangguang</i>
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+ </p>
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+ <p>• Competency Education of Museology in Universities and Construction of Museology Discipline System<br/>
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+ <i>Yang Jin</i>
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+ </p>
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+ <p>• How can Museology Cross Boundaries and “Self Rescue” Under the Background of “New Liberal Arts”?<br/>
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+ <i>Wang Siyi</i>
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+ </p>
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+ <p>• Museum Talent Cultivation and the Subdivision of Professional Museology Education<br/>
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+ <i>Yan Jianqiang</i>
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+ </p>
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+ <p>• Construction of Museology Curriculum in Universities Based on Practice<br/>
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+ <i>Wang Siyu/Hang Kan</i>
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+ </p>
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+ <p>• The Name and Reality of Professional Museology Education<br/>
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+ <i>Huang Yang</i>
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+ </p>
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+ <p>• Professional Talent Cultivation and Development Innovation of Museology in Universities<br/>
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+ <i>Liu Yi</i>
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+ </p>
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+ <p>• Do Museums Require Students Majoring in Museology?——A Reflection on the Discipline System of Domestic Museology<br/>
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+ <i>Yan Zhi</i>
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+ </p>
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+ <p>• The Major of Cultural Relics and Museology in Jilin University: Inheriting History, Innovating the Future<br/>
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+ <i>Tang Miao</i>
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+ </p>
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+ <p>• Three-Dimensional Integration and Innovation: Hierarchical Construction and Innovative Development of the Disciplinary System of Professional Museology Education in Northwest University<br/>
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+ <i>Zhou Jianhong</i>
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+ </p>
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+
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+ <p><span>Theoretical Research</span></p>
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+ <p>• Constructing the Professional Education System for Museology Majors at Chinese Universities in the New Era<br/>
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+ <i>Gao Dalun/Li Liping</i>
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+ </p>
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+ <p>• Action Research on Exhibition-Based Early Childhood Program in Museum-School Cooperation<br/>
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+ <i>Wang Yudan/Li Jin/Chen Xin</i>
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+ </p>
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+ <p>• Holistic Design of Museum + Career Experience: Elementary-Level Occupational Education in the Museum<br/>
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+ <i>Duan Ruoyu/Zhang Ruijie/Wang Zhirou</i>
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+ </p>
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+ <p>• The “Rows of Coins” Pattern on Decoration of Han Dynasty Architecture<br/>
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+ <i>Wang Zijin</i>
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+ </p>
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+ <p>• The Music and Dance of the Kuche Relic Box Originates from that of Anthesteria Festival of Ancient Greek<br/>
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+ <i>Lin Meicun</i>
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+ </p>
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+ <p>• Preliminary Study on Textiles Unearthed from the Xuewei No. 1 Tomb (2018) at Reshui，Dulan，Qinghai<br/>
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+ <i>Gu Yushan/Liu Dawei</i>
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+ </p>
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+ <p>• Textual Research on the Drum Musical Instruments Held by the Figurines from Tomb of Zhao Tingyin of Later Shu<br/>
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+ <i>Liu Shiyi</i>
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+ </p>
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+ <p>• Two Newly Discovered Folding Fans and an Examination of Qianlong Emperor’s Artistic Practice and Collection<br/>
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+ <i>He Li</i>
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+ </p>
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+
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+ <p><span>Museum Practice</span></p>
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+ <p>• Exploring Curatorial Approaches to the History of Everyday Life in Museums: A Case Study of the Museum of the Home in London<br/>
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+ <i>Chen Meici</i>
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+ </p>
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+ <p>• Exploration and Creation of Multimedia Science Outreach Stage Plays: A Case Study of Space Docking<br/>
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+ <i>Xu Yan</i>
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+ </p>
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+ <p>• Landscape Design of Celebrities’ Memorial Hall: Connotation，Assessment and Application<br/>
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+ <i>Liu Xin/Ma Luyao</i>
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+ </p>
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+ <p>• A Study on the Design of Educational Interactive Installations in Exhibitions from a Constructivist Perspective: Case Study of the Legion: Life in the Roman Army Exhibition at the British Museum<br/>
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+ <i>Wu Qiyue/Cheng Peiqi</i>
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+ </p>
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+ `
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+ },
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+ {
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+ id: 49,
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+ imgUrl: "/data/Publications/Magazines/49.jpg",
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+ p: "Technologies and Innovation in Museums",
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+ txt: `
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+ <p><span>Special IssueDigital</span></p>
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+ <p><span>Technologies and Innovation in Museums</span></p>
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+ <p>• Remarks by the Academic Moderator of the Special Issue “Digital Technologies and Innovation in Museums”<br/>
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+ <i>Zhang Jingwen</i>
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+ </p>
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+ <p>• Teaching GenAI in Museum Curation: Pathways to Digital-Intelligent Transformation: A Case Study of Zhejiang University's Exhibition Planning and Design Course<br/>
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+ <i>Mao Ruohan/Xia Zihe</i>
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+ </p>
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+ <p>• Production and Research of Dynamic Digital Images in the Museum Exhibition: Taking the Shaanxi Archaeological Museum as an Example<br/>
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+ <i>Yong Qian</i>
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+ </p>
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+ <p>• Explore New Approaches to the Sorting and Research of Museum Collection of Cultural Relics: Taking the Construction of “Information Platform of Han Dynasty Cultural Relics Unearthed in Jiangxi” as an Example<br/>
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+ <i>Chen Shuqian/Zhao Lei</i>
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+ </p>
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+
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+ <p><span>Theoretical Research</span></p>
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+ <p>• An Empirical Research on Undergraduate Students’ Professional Identity in the Field of Cultural Relics and Museum Studies at Higher Education Institutions in Northeast China<br/>
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+ <i>Zhang Zheng/Huang Cenyan</i>
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+ </p>
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+ <p>• A Brief Discussion on Cooperation of Three Institutions in the Forbidden City <br/>
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+ <i>Zhan Wenjun</i>
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+ </p>
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+ <p>• Research on Red-themed Exhibitions Under the Perspective of the Interactive Ritual Chain<br/>
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+ <i>Zhao Guiling</i>
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+ </p>
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+ <p>• Women’s Heritage from the Historical Collecion of the Confucius Mansion in Museums’ Exhibitions: Status and Reflections<br/>
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+ <i>Li Qianqian/Kang Yuxiao</i>
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+ </p>
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+ <p>• Re-understanding of the Inscriptions on the Stone Labels(Jie) Unearthed from the Cao Wei Tomb at Xizhu Village in Luoyang <br/>
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+ <i>Yao Lei</i>
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+ </p>
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+ <p>• Study on the Image and Craft of Ivory Hanging Screens with Tilling and Weaving Picture in the Palace Museum<br/>
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+ <i>Zhang Yi/Kong Yanju/Duan Peiquan/Zhang Yun</i>
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+ </p>
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+
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+ <p><span>Museum Practice</span></p>
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+ <p>• The Transferable Application of PBL Teaching Method in University Museum Education Practice: A Case Study of Tsinghua University Art Museum and the Course Writing and Communication: Cultural Heritage<br/>
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+ <i>Chen Hao</i>
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+ </p>
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+ <p>• Design and Utilization of Museum Architecture Space: Taking Building of Shenzhen Museum of Anicent Art as an Example<br/>
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+ <i>Cai Ming</i>
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+ </p>
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+ <p>• Archaeology+Site+Museum: An Analysis About the Construction and Operation of the Osaka Museum of History<br/>
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+ <i>Chen Zhonghui</i>
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+ </p>
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+ <p>• The Five Dimensions of Curating Ceramic Exhibitions: A Case Study of Artifacts and Dao: The Ceramics and Zisha Art Exhibition <br/>
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+ <i>Chen Hangyu</i>
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+ </p>
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+ <p>• Research on Curatorial Narrative of A Time of Plenty: Life of a Tang County Princess<br/>
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+ <i>Zeng Lirong</i>
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+ </p>
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+ `
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+ }
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+ ],
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2024: [
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{
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id: 48,
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chenlei
