index.js 24 KB

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  1. export const data = {
  2. //第一单元
  3. chapter1: [
  4. {
  5. name: "清“乾隆年制”款掐丝珐琅缠枝花卉羊形尊",
  6. size: "长23.3厘米,通高17.5厘米",
  7. img: [
  8. "/images/1/1/3.png",
  9. "/images/1/1/1.png",
  10. "/images/1/1/2.png",
  11. "/images/1/1/4.png",
  12. "/images/1/1/5.png",
  13. "/images/1/1/6.png",
  14. ],
  15. cover: "/images/1.png",
  16. content: `
  17. <p>以铜胎作一卧羊形态,体态丰腴饱满,口部微张,双目炯炯有神。周身以掐丝绘制各式花卉图案,天蓝色珐琅釉作地,红、黄蓝等多色珐琅釉填绘花朵。腹底留铜鎏金长方块,上阴刻“乾隆年制”四字楷书款。“羊”字因发音与“祥”相近,故以羊来表示吉祥,称“大吉羊”,具有美好寓意,是清代宫廷用作陈设之器。</p>
  18. `,
  19. },
  20. {
  21. name: "清中期掐丝珐琅太平有象熏炉",
  22. size: "口径25.7厘米,耳距37.7厘米,盖径25厘米,通高44厘米",
  23. img: [
  24. "/images/1/2/1.png",
  25. "/images/1/2/2.png",
  26. "/images/1/2/3.png",
  27. "/images/1/2/4.png",
  28. ],
  29. cover: "/images/2.png",
  30. content: `
  31. <p>平口、厚口沿,深弧腹,器身两侧各置一铜鎏金象鼻形耳,底承三铜鎏金象首足。炉盖高拱,作如意云头式开光,外以铜鎏金镂雕缠枝莲纹。盖顶置一铜鎏金卧象,并驮有聚宝盆,取太平有象之吉祥寓意。口沿处錾刻一圈回纹。炉身以天蓝色珐琅釉作地,单线掐丝莲纹,双线掐丝叶脉缠枝。此炉为宫殿陈设器、实用器,通常放置于大殿内两侧,用以焚香和装饰殿堂。</p>
  32. <P>此炉用料发色与传统京造珐琅釉有明显不同,且画面布局丰富紧凑,可能为扬州珐琅器。</P>
  33. `,
  34. },
  35. {
  36. name: "郎世宁等 乾隆雪景行乐图轴(故宫博物院藏)",
  37. img: ["/images/1/3/1.png"],
  38. cover: "/images/31.png",
  39. content: `
  40. <p>此图描绘乾隆皇帝及皇子等多人在宫苑内观赏雪景的情景。房舍梁柱之间放有两个珐琅熏炉。</p>
  41. `,
  42. },
  43. {
  44. name: "清佚名 故宫博物院藏 康熙帝万寿图(下卷)",
  45. size: "",
  46. img: ["/images/1/4/1.png"],
  47. cover: "/images/34.png",
  48. content: `
  49. <p>画中上面中间帐篷桌几上放有一掐丝珐琅香熏。</p>
  50. `,
  51. },
  52. {
  53. name: "清“景泰年制”款掐丝珐琅莲托八吉祥纹鱼耳炉",
  54. size: "口径21.6厘米,腹径22.9厘米,底径13厘米,通高29.6厘米",
  55. img: [
  56. "/images/1/5/1.png",
  57. "/images/1/5/2.png",
  58. "/images/1/5/3.png",
  59. "/images/1/5/4.png",
  60. "/images/1/5/5.png",
  61. "/images/1/5/6.png",
  62. ],
  63. cover: "/images/3.png",
  64. content: `
  65. <p>平口,上压将军盖,盖钮作镂空鎏宝珠钮,钮形圆润,饰缠枝莲托八卦纹,增其挺拔之气。炉身作钵式,腹部浑圆,肩两侧对饰鎏金鱼耳,鱼的形态刻画得极为写实生动。通体掐丝珐琅填彩装饰缠枝莲托八吉祥纹,纹饰艳丽璀璨,繁冗细密,口沿、盖钮、接胎及足端均鎏金装饰,底部饰阳文“景泰年制”四字楷书款,款体遒劲有力。整器富丽堂皇,彰显皇家地位。此件作品布局紧凑,釉料颜色丰富饱满,具有乾隆时期扬州珐琅器的特征。</p>
  66. `,
  67. },
  68. {
  69. name: "清掐丝珐琅海棠式盆玉石花卉盆景",
  70. size: "盆长18.3厘米,宽13.7厘米,高6.7厘米,通高29(左一)、25厘米(右二)",
  71. img: [
  72. "/images/1/6/1.png",
  73. "/images/1/6/2.png",
  74. "/images/1/6/3.png",
  75. "/images/1/6/4.png",
  76. "/images/1/6/5.png",
  77. ],
  78. cover: "/images/4.png",
  79. content: `
  80. <p>一对。花盆海棠形,如意云纹足,采用掐丝珐琅工艺,通体天青色珐琅釉为地,釉料莹润,口沿、腹棱鎏金,盆沿绘卷草花,四面折枝卷草纹,中间开光饰“福庆有余”纹。盆景主景为三株海棠花,以各色丝线缠金属丝作枝,碧玉叶片,芙蓉石花瓣,骨牙花苞。旁衬以三株料石花,有梅花、葵花等,配铜片小草。纹样繁而不乱,工艺较精,整体富有生机,鲜妍华美。此器具有清代宫廷御用器物的风格,为宫内陈设用品之佳器。</p>
  81. `,
  82. },
  83. {
  84. name: "清 佚名 雍正行乐图册(故宫博物院藏)",
  85. size: "",
  86. img: ["/images/1/7/1.png"],
  87. cover: "/images/30.png",
  88. content: `
  89. <p>疑为雍正帝在圆明园内某处赏景。院内桌几上放有珐琅盆景及熏炉。</p>
  90. `,
  91. },
  92. {
  93. name: "清掐丝珐琅璎珞缠枝莲纹佛塔",
  94. size: "底宽7.2厘米,通高21厘米",
  95. img: ["/images/1/8/1.png", "/images/1/8/2.png", "/images/1/8/3.png"],
  96. cover: "/images/6.png",
  97. content: `
  98. <p>铜胎,露胎部鎏金。通体以浅蓝色掐丝珐琅为主,由上而下共分塔刹、塔身、须弥座及足四部分。塔刹火焰、日、月、华盖饰鎏金,代表佛教中最理想的天界;相轮上敛下丰,层层堆栈,共十三级,象征佛教十三重天。塔身为覆钵式,塔肩部浮雕多组鎏金兽面纹,兽口衔璎珞;前部置一福寿纹佛龛,内供有设色描金佛像。腹部饰有掐丝珐琅宝相纹。须弥式塔座呈方形,分有上下二层,中间束腰,饰有珐琅卷草纹和仰莲纹。</p>
  99. `,
  100. },
  101. {
  102. name: "明中期掐丝珐琅狮戏纹碗",
  103. size: "口径19.5厘米,底径8.5厘米,高9厘米",
  104. img: [
  105. "/images/1/9/3.png",
  106. "/images/1/9/1.png",
  107. "/images/1/9/2.png",
  108. "/images/1/9/4.png",
  109. ],
  110. cover: "/images/7.png",
  111. content: `
  112. <p>敞口,弧壁,深腹,圈足。通体以天蓝釉为地,内填饰龙纹,似于碗底遨游,其体态遒劲,气势磅礴。口沿及底部处鎏金,外壁以掐丝珐琅填饰瑞狮戏球纹样,做工精美,纹样别致。整体来看本碗造形端庄,掐丝工整,彩釉鲜艳,纹饰图案繁复精美,填绘流畅。</p>
  113. `,
  114. },
  115. {
  116. name: "清乾隆款掐丝珐琅夔龙纹高足杯(一对)",
  117. size: "口径8厘米,底径3.8厘米,通高7.6厘米",
  118. img: [
  119. "/images/1/10/1.png",
  120. "/images/1/10/2.png",
  121. "/images/1/10/3.png",
  122. "/images/1/10/4.png",
  123. "/images/1/10/5.png",
  124. "/images/1/10/6.png",
  125. ],
  126. cover: "/images/8.png",
  127. content: `
  128. <p>一对。侈口,深弧壁略下敛,高撇足。口沿、内壁、腹足交接处、足缘皆鎏金厚重。器身以蓝色珐琅釉为地,外壁以掐丝技法制作夔龙团寿纹,间饰缠枝花卉纹。圈足底心錾刻方形双框“大清乾隆年制”六字二行楷书款。杯身虽小,但整体比例十分合理,造型匀称,华丽大气,掐丝线条精致有度,做工玲珑清秀,金色亮润,釉料深沉,透露出富丽典雅的皇家气息,为典型乾隆宫廷掐丝珐琅御制之物。</p>
  129. `,
  130. },
  131. ],
  132. //第二单元
  133. chapter2: [
  134. {
  135. name: "清掐丝珐琅花蝶纹抱月瓶(一对)",
  136. size: "口径3.7厘米,腹径21厘米,底径8厘米,通高30厘米",
  137. img: [
  138. "/images/2/1/1.png",
  139. "/images/2/1/2.png",
  140. "/images/2/1/3.png",
  141. "/images/2/1/4.png",
  142. "/images/2/1/5.png",
  143. "/images/2/1/6.png",
  144. ],
  145. cover: "/images/9.png",
  146. content: `
  147. <p>一对。圆扁瓶身,颈部先鼓后收,下呈外撇圈足,造型端庄秀丽,沉稳雅致。肩颈部位斜出拐子折纹为耳,其上各攀夔龙一条,游梭穿插于折纹之间,身形婉转蜷曲,与拐子纹直挺方正样式形成鲜明对比。其顶圆形球口以黄釉为地,上下口沿以蓝绿三色绘如意纹饰,其间于黄釉之上描绘神龙腾云驾雾,悠游于五彩祥云之间。下收颈部以镀金线条与上下相隔,其间绘倒置蕉叶纹饰。圆腹侧身以蓝釉为地,绘缠枝莲纹环于器身之上,而腹身正面则以各色釉料描绘花蝶图案,蝴蝶姿态各异,翩翩起舞,花朵姹紫嫣红,品类繁多,烂漫绽放,呈现一派华丽夺目景象,极具雍容艳美之装饰色彩。</p>
  148. `,
  149. },
  150. {
  151. name: "清掐丝珐琅葫芦花纹葫芦瓶(一对)",
  152. size: "口径3.5厘米,腹径20厘米,底径10厘米",
  153. img: [
  154. "/images/2/2/1.png",
  155. "/images/2/2/2.png",
  156. "/images/2/2/3.png",
  157. "/images/2/2/4.png",
  158. "/images/2/2/5.png",
  159. "/images/2/2/6.png",
  160. "/images/2/2/7.png",
  161. ],
  162. cover: "/images/10.png",
  163. content: `
  164. <p>一对。平口,短颈,束腰,矮圈足,上圆腹稍小,下圆腹宽大。通体以浅蓝色珐琅釉为地,局部镀金,器表部分珐琅釉脱落。在古代中国葫芦寓意大吉大利。该瓶周身满饰各色葫芦及葫芦花,极具富贵之气,给人以华贵之感。通体图案布局疏朗,掐丝线条奔放有力,色彩绚丽华美,磨光精到,是清代掐丝珐琅器精品。</p>
  165. `,
  166. },
  167. {
  168. name: "清掐丝珐琅鹦鹉摆件",
  169. size: "长25厘米,宽11厘米,高25厘米",
  170. img: [
  171. "/images/2/3/1.png",
  172. "/images/2/3/2.png",
  173. "/images/2/3/3.png",
  174. "/images/2/3/4.png",
  175. "/images/2/3/5.png",
  176. ],
  177. cover: "/images/11.png",
  178. content: `
  179. <p>鹦鹉造型逼真写实,作回首状,尖喙、长尾,双爪稳稳地立在十字形架上。通体掐丝作羽,头颈处填黑色珐琅釉,腹部填白色珐琅釉,双翼及尾羽黑、钴蓝、湖蓝、白四色釉,喙部、爪部铜镀金。底座饰缠枝莲纹和梅竹纹,封底脱落缺失。鹦鹉的翅膀可活动,架座可旋转。制作工艺精巧,中西结合,是晚清珐琅器佳品。</p>
  180. `,
  181. },
  182. {
  183. name: "清掐丝珐琅松鹤延年、鹤鹿同春图插屏",
  184. size: "带框长46.5厘米,宽39厘米",
  185. img: ["/images/2/4/1.png", "/images/2/4/2.png"],
  186. cover: "/images/12.png",
  187. content: `
  188. <p>该插屏屏心呈长方形,外框以紫檀包镶。通屏画面以天蓝色珐琅釉为地,以黄蓝两色填饰山石,绿色点缀枝叶。山水林木、云中仙鹤、地面鹿鸣构成了寓意“松鹤延年”“鹤鹿同春”的吉祥画面,“二龙捧寿”纹饰附属其下为陪衬。通体画面色彩对比强烈,掐丝手法细腻而不失大气,是清代掐丝珐琅的精品</p>
  189. `,
  190. },
  191. {
  192. name: "清雍正十二美人图之捻珠观猫(故宫博物院藏)",
  193. size: "",
  194. img: ["/images/2/5/1.png"],
  195. cover: "/images/32.png",
  196. content: `
  197. <p>美人手持珊瑚十八子手串,桌面摆放着铜铸方鼎式香薰炉和青田石印章,身后的壶门券口带托泥架钟架上放置着一只紫檀木画珐琅自鸣钟。</p>
  198. `,
  199. },
  200. {
  201. name: "清周慕桥闺中十二景图册(来源网络)",
  202. size: "",
  203. img: ["/images/2/6/1.png"],
  204. cover: "/images/36.png",
  205. content: `
  206. <p>墙面上挂有插屏。</p>
  207. `,
  208. },
  209. ],
  210. //第三单元
  211. chapter3: [
  212. {
  213. name: "明中期掐丝珐琅缠枝莲纹贯耳瓶",
  214. size: "口径3厘米,耳距6厘米,腹径7.9厘米,底径4.8厘米,高12.7厘米",
  215. img: [
  216. "/images/3/1/1.png",
  217. "/images/3/1/2.png",
  218. "/images/3/1/3.png",
  219. "/images/3/1/4.png",
  220. ],
  221. cover: "/images/14.png",
  222. content: `
  223. <p>整器作投壶样式,器口平沿,高直颈,侧出双贯耳,与口同齐,下部丰肩圆腹,向下斜收,下承鎏金折沿圈足。瓶通体以白色釉为地,其上掐丝填绘缠枝花卉纹饰。颈、肩连接处饰一周掐丝翠绿色蕉叶纹,绿中带黄,排列整齐。蕉叶之上分绘各式缠枝花卉,交错陈布,错落有致,颜色不一,其间以肥厚枝叶相衬,更显繁茂葱茏。瓶身腹部绘大朵缠枝莲花,花朵造型饱满,花瓣弯卷,体态庄正,花蕊花瓣由内至外分三层设色,各朵莲花之间又以花芯相隔,排列有序而颜色各异,更显装饰美感。</p>
  224. `,
  225. },
  226. {
  227. name: "清早期掐丝珐琅兽面纹方壶",
  228. size: "口径9.8厘米,腹径17.5厘米,底径10.2厘米,高29厘米",
  229. img: [
  230. "/images/3/2/1.png",
  231. "/images/3/2/2.png",
  232. "/images/3/2/3.png",
  233. "/images/3/2/4.png",
  234. ],
  235. cover: "/images/15.png",
  236. content: `
  237. <p>铜胎,仿青铜壶造型,敞口,束颈,下腹微垂,高圈足外撇。整器以湖蓝色为地,以宝蓝、红、绿、白、黄等色填饰各色纹饰图案。颈部饰蕉叶纹,肩部饰鸟纹,腹部饰兽面纹。整器掐丝繁密不乱,构图考究,布局有致,色泽纯正,细润明亮,有天然宝石之美感。</p>
  238. `,
  239. },
  240. {
  241. name: "清早期掐丝珐琅缠枝莲纹大壶",
  242. size: "口径20厘米,腹径39厘米,底径23厘米,高55厘米",
  243. img: [
  244. "/images/3/3/1.png",
  245. "/images/3/3/2.png",
  246. "/images/3/3/3.png",
  247. "/images/3/3/4.png",
  248. "/images/3/3/5.png",
  249. ],
  250. cover: "/images/16.png",
  251. content: `
  252. <p>盘口,束颈,鼓腹,束腰。通体以浅蓝珐琅釉为地,壶身以缠枝莲纹为主题,再以各色釉料为枝叶,花朵造形,古朴典雅,掐丝工艺繁而不乱。该壶使用多种釉料,釉面打磨光亮,器形硕大,气势恢宏,胎体厚重,是清代早期仿制汉壶较大者。</p>
  253. `,
  254. },
  255. {
  256. name: "清早期掐丝珐琅蕉叶夔龙缠枝莲纹方觚",
  257. size: "口径11.6,腹径13.2,高9.7,带座通高12.5",
  258. img: [
  259. "/images/3/4/1.png",
  260. "/images/3/4/2.png",
  261. "/images/3/4/3.png",
  262. "/images/3/4/4.png",
  263. ],
  264. cover: "/images/17.png",
  265. content: `
  266. <p>此件花觚仿青铜器式样,呈四方形,喇叭口,边棱出戟,口内鎏金,器形高大。整体厚实,器型庄重典雅,美观大方。通体施天蓝色珐琅釉为地,器身掐丝珐琅饰缠枝莲、蕉叶纹内嵌变形螭龙纹。整器掐丝填珐琅纹饰,工整秀丽,填制珐琅料严谨平整,显得精美华丽而不失古朴庄重,气韵高贵。 有一出戟断。</p>
  267. `,
  268. },
  269. {
  270. name: "清掐丝珐琅松鼠葡萄纹象足狮钮盖炉",
  271. size: "口径19.2厘米,腹径21厘米,通高23厘米",
  272. img: ["/images/3/5/1.png", "/images/3/5/2.png", "/images/3/5/3.png"],
  273. cover: "/images/18.png",
  274. content: `
  275. <p>器身平沿直口,侧出双耳,竖直朝天,腹身近扁圆形,下出三足,以象为形。其上炉盖隆起,中心作圆雕狮兽为钮,狮子两耳外耷,立身侧首,造型小巧。炉体通身施绘掐丝珐琅工艺,以蓝釉为地,除炉盖中心作海浪卷纹环于狮钮,其余均绘松鼠葡萄题材,遍绘炉盖器身之上。</p>
  276. `,
  277. },
  278. {
  279. name: "佚名 雍正行乐图册(故宫博物院藏)",
  280. size: "",
  281. img: ["/images/3/6/1.png"],
  282. cover: "/images/29.png",
  283. content: `
  284. <p>某冬日,雍正帝在书房内炭火旁悠然阅读。室内书架及桌面放有珐琅器。</p>
  285. `,
  286. },
  287. {
  288. name: "弘历观画图轴(故宫博物院藏)",
  289. size: "",
  290. img: ["/images/3/7/1.png"],
  291. cover: "/images/33.png",
  292. content: `
  293. <p>美人手持珊瑚十八子手串,桌面摆放着铜铸方鼎式香薰炉和青田石印章,身后的壶门券口带托泥架钟架上放置着一只紫檀木画珐琅自鸣钟。</p>
  294. <p>画中乾隆皇帝命人打开画轴,进行品评,其旁边桌上放有珐琅瓷器、哥窑瓷壶、熏炉、青铜钟等,应均是乾隆收藏或仿制的器物。</p>
  295. `,
  296. },
  297. {
  298. name: "月曼清游图册(故宫博物院藏)",
  299. size: "",
  300. img: ["/images/3/8/1.png"],
  301. cover: "/images/35.png",
  302. content: `
  303. <p>画面内容为宫内的妃子们在赏玩收藏的画卷及青铜器</p>
  304. `,
  305. },
  306. ],
  307. //第四单元
  308. chapter4: [
  309. {
  310. name: "清画珐琅黄地花卉纹碗(一对)",
  311. size: "口径11.8厘米,通高6.1厘米",
  312. img: [
  313. "/images/4/1/1.png",
  314. "/images/4/1/2.png",
  315. "/images/4/1/3.png",
  316. "/images/4/1/4.png",
  317. "/images/4/1/5.png",
  318. "/images/4/1/6.png",
  319. ],
  320. cover: "/images/19.png",
  321. content: `
  322. <p>一对。侈口,垂腹,圈足。碗内除底部饰有一朵彩色折枝花卉外,其余施白色底釉。口沿饰一圈黑釉龙牙蕙草纹,外腹部满饰缠枝花卉,圈足饰一圈粉红釉龙牙蕙草纹。</p>
  323. `,
  324. },
  325. {
  326. name: "铜胎画珐琅八宝花卉纹盆",
  327. size: "",
  328. img: ["/images/4/2/1.png"],
  329. cover: "/images/20.png",
  330. content: `
  331. <p>天津博物馆藏</p>
  332. <P>其口沿上绘轮螺伞盖、花罐鱼长等八宝吉祥图案。盆内底装饰折枝花果,有牡丹、 菊花、梅花、桃实和岭南佳果之一的佛手。此外,此盆在内底与外壁均饰有蝙蝠图像,寓意“福在眼前”。盆外底施白色珐琅釉,中心署“大清乾隆年制” 蓝字篆书款。</P>
  333. `,
  334. },
  335. {
  336. name: "清中期画珐琅郭子仪祝寿图菱花式捧盒",
  337. size: "口径37厘米,盖径38.5厘米,底径27厘米,通高14.5厘米",
  338. img: [
  339. "/images/4/3/1.png",
  340. "/images/4/3/2.png",
  341. "/images/4/3/3.png",
  342. "/images/4/3/4.png",
  343. "/images/4/3/5.png",
  344. "/images/4/3/6.png",
  345. ],
  346. cover: "/images/22.png",
  347. content: `
  348. <p>八出葵花形,铜胎画珐琅彩。盒盖上以花形开光,开光内绘人物故事图。画面图案来源于典故“郭子仪拜寿”,只见郭子仪端坐正堂之上,前来贺寿的官员分列两侧,秩序井然,其下有二人行叩拜之礼。朝堂两侧有乐队吹拉弹唱,画面热闹。亭台楼阁、绮户画栋皆绘制精细。开光外、盖盒口沿以金色如意云头装饰一周,其外以缠枝莲映衬烘托,彩色艳丽,起承转合光影分明,颇具清代广东画珐琅之热闹繁复风格。此对盖盒描绘了人物几十位,且细致入微、神态各异,是清代铜胎画珐琅精品代表之一。</p>
  349. `,
  350. },
  351. {
  352. name: "清晚期画珐琅冰梅纹盏托",
  353. size: "碗:口径5.6厘米,底径2.4厘米,高4.3厘米 盏:口径11.3厘米,底径7.6厘米,通高5厘米;通高5厘米",
  354. img: [
  355. "/images/4/4/1.png",
  356. "/images/4/4/2.png",
  357. "/images/4/4/3.png",
  358. "/images/4/4/4.png",
  359. "/images/4/4/5.png",
  360. "/images/4/4/6.png",
  361. "/images/4/4/7.png",
  362. "/images/4/4/8.png",
  363. "/images/4/4/9.png",
  364. ],
  365. cover: "/images/23.png",
  366. content: `
  367. <p>盖碗以铜为胎制成,盏为圆形,直口无盖,圈足。下置托盘,盘中心凸起盏槽,与盏的圈足相吻合。整器内壁施以松石绿釉,外壁则以蓝彩为地,以不规则的金彩短线组合成冰片纹,其上满饰粉白色梅花。盖碗的梅花纹较为写实,梅花的花蕊、萼片均细致描绘,花形饱满。此外,盖碗的碗身和盏面还饰有青葱翠竹纹。总体而言,整器描绘精良,纹饰富有层次,用色浓艳明快、对比强烈,具有典型的清中晚期特征。</p>
  368. `,
  369. },
  370. {
  371. name: "清晚期银累丝烧蓝风景图提梁盒",
  372. size: "口径最长13.5厘米,最宽9.6厘米,底径最长8.9厘米,最宽6厘米,通高13厘米",
  373. img: [
  374. "/images/4/5/1.png",
  375. "/images/4/5/2.png",
  376. "/images/4/5/3.png",
  377. "/images/4/5/4.png",
  378. "/images/4/5/5.png",
  379. "/images/4/5/6.png",
  380. ],
  381. cover: "/images/24.png",
  382. content: `
  383. <p>银质。该器呈海棠花式样,盖与盒身以子母口扣合,有环形提梁。通体以银丝掐制出的圆涡状底纹及花卉、树木、房屋、凤鸟等纹样,并在主体纹样内填敷蓝、绿色釉彩,银丝表面均鎏金,整体显得富丽堂皇。此器是银累丝与烧蓝工艺结合的复合工艺品,显示出工匠高超的制作水平。</p>
  384. `,
  385. },
  386. {
  387. name: "清画珐琅嵌玻璃八吉祥纹桃形挂钟(一对)",
  388. size: "通长17厘米,宽12.5厘米,厚3.5厘米",
  389. img: [
  390. "/images/4/6/1.jpg",
  391. "/images/4/6/2.jpg",
  392. "/images/4/6/3.jpg",
  393. "/images/4/6/4.jpg",
  394. "/images/4/6/5.jpg",
  395. ],
  396. cover: "/images/25.png",
  397. content: `
  398. <p>挂钟以桃子为形,中心表盘为白色珐琅面,外围以蓝色珐琅为地,描绘八宝、荷花、佛手等花卉纹。背面有一圆形活盖,打开可看到机芯。机芯刻款“Clerke London”、“Rob(ert)Chassereau London”。推测为购买者的姓名。亦刻有“slow”、“fast”、“No2527”、“841”等字样,推测是编号和调节快慢的标识,并各配有拧发条的钥匙。</p>
  399. `,
  400. },
  401. {
  402. name: "清乾隆广彩荷兰德·赫尔家族徽章纹盘",
  403. size: "口径23.3厘米,底径13厘米,高2.8厘米",
  404. img: ["/images/4/7/1.png"],
  405. cover: "/images/26.png",
  406. content: `
  407. <p>敞口,折沿,浅腹,圈足。盘内以金彩、红彩、绿彩等绘西式徽章,纹章瓷一般为家族、社团单独定制,纹章反映了持有人性别、婚姻、子嗣、爵位、授勋等情况,在西方有着一套严谨的表现形式。</p>
  408. `,
  409. },
  410. {
  411. name: "清乾隆广彩荷兰西奥多鲁斯·范·瑞伍霍斯特徽章纹盘",
  412. size: "口径23厘米,底径12.5厘米,高3.3厘米",
  413. img: ["/images/4/8/1.png", "/images/4/8/2.png"],
  414. cover: "/images/27.png",
  415. content: `
  416. <p>敞口,折沿,浅腹,圈足。施透明釉,盘沿为描金缠枝花卉,盘心为荷兰范·瑞伍霍斯特(Van Reverhorst)家族族徽,西奥多鲁斯·范·瑞伍霍斯特(1706--1758)曾任职荷兰东印度公司巴达维亚法院长达17年。</p>
  417. `,
  418. },
  419. {
  420. name: "清乾隆广彩描金开光庭院人物纹汤盅(一对)",
  421. size: "盅长20厘米,宽13厘米,高16厘米;底座长19.3厘米,宽15.1厘米;通高16.5厘米",
  422. img: [
  423. "/images/4/9/1.png",
  424. "/images/4/9/2.png",
  425. "/images/4/9/3.png",
  426. "/images/4/9/4.png",
  427. "/images/4/9/5.png",
  428. "/images/4/9/6.png",
  429. "/images/4/9/7.png",
  430. "/images/4/9/8.png",
  431. ],
  432. cover: "/images/28.png",
  433. content: `
  434. <p>一对。器物由汤盅和托碟组成,盅带盖,两侧有端手。器物满饰,通体以金彩织洋莲开光为地,托边沿开光内以麻色绘山水,盅足为麻色织鲨鱼皮锦地开光,盖面、盅腹部及托内底开光处皆绘人物故事纹样。此器是典型的洛克菲勒式瓷器,盛产于乾隆时期,以华丽繁缛的金彩为特征,因美国洛克菲勒家族藏有大量该类器物,因此把同风格广彩瓷称为洛克菲勒瓷。</p>
  435. `,
  436. },
  437. ],
  438. };